After majoring in visual art and art history, my first career was graphic design, then map design, websites, and user experience. After earning a masters degree in information management, I organized archives and digital communities for global aid organizations.  

I remember the pleasure of twining tule reed at the Oregon Country Fair’s Archaeology Site in the 90s, but it wasn’t until the 2020s that I started taking basketry classes and workshops, and attending regional retreats. I still feel like a newbie, and am inspired by - and in awe of - the work of Guild members.

I’m exploring all styles of weaving, including vessels and sculptures, contemplating how to merge natural materials, and create a variety of forms and structures. I’m drawn to irregular, unusual, organic shapes, letting the material inform me as I work. Sometimes hours go by unnoticed. 

I see parallels between my education, careers, and weaving. I seek out patterns, identify what to emphasize, and create a bit of structure from chaos, with input from the environment, material, style, and user needs.